Welcome to our guide to the best travel cameras you can buy. From pocketable compacts to small mirrorless models, we’ve tested all of the top travel cameras. So whether you’re staying local, flying far away or planning an action-packed adventure, you’ll find you ideal travel camera for you in our list below.
Which is the best travel camera you can buy? We think the Sony RX100 VII takes that title, despite its premium price tag. It’s small enough to slip into your pocket unnoticed, yet features a large 1-inch sensor that dwarfs your smartphone’s snapper. It’s also equipped with an 8x optical zoom range to get you closer to the action, plus manual control options for extra creativity on the road. It isn't the newest travel camera you can buy, but it’s still top of our list.
That said, there might be a better travel camera out there for you. Which model suits you best will depend on your specific expectations and budget. If you want something super portable for quick and easy travel clips, for example, an action cam like the GoPro Hero 10 Black might most suitable.
Alternatively, if you’re planning to focus on street photography while you travel, you could find that Fujifilm’s X100V is right up your alley. It’s a niche but brilliant compact with a fixed 23mm, f/2 lens that’s ideal for capturing candid snaps while you’re out and about.
Whatever type of travel camera you’re looking for, you’ll find a great option featured here. Each model in our list has been recommended because it offers a fantastic combination of features for travelers, whether that’s a lightweight, compact body, a huge zoom range or the versatility to shoot steady 4K footage. There are cameras here to suit every type of traveller, and we keep our buying guide regularly updated so you can always find the perfect choice for your next trip.
Best travel camera in 2022:
Sony revolutionized premium compact cameras with the original RX100 as it was the first pocket-sized camera to feature a large 1-inch sensor. They were always great for travel, but thanks to a relatively limited zoom lens, were perhaps sometimes overlooked in favor of super-zoom rivals. Things changed when we got to the RX100 VI, which paired a much longer lens than ever before – and now we've seen some real refinement with the latest RX100 VII model.
The sacrifice for making the lens longer is losing the super wide aperture of previous generations, but if you're mainly going to be shooting in sunny climes, this probably won't be a big deal. There's also a heck of a lot of power under the hood of the RX100 VII. It houses features that you might not ever use, such as a ridiculous 90fps burst mode, as well as those that are more commonplace, such as 4K video.
Image quality is superb, with our tests finding excellent detail even at ISO settings at the middle of its sensitivity range, while video quality is the best you'll find on a compact. The big downside of this model is its high asking price, but if you want the best of the best for your travels, it could be worth the premium. If your budget doesn't quite stretch to the asking price of the RX100 VII, take a look at older models throughout the range for better prices.
- Read our in-depth Sony Cyber-shot RX100 VII review
With smartphones now raising the bar for point-and-shoot photography, compact cameras have to offer something special to justify their place in your travel bag. The ZS200 / TZ200 does that with its large 1-inch sensor and versatile 15x optical zoom. It might be towards the upper end of the 'budget' compact camera market, but Panasonic's travel zoom continues to offer great value.
Its large 1in sensor produces better natural image quality than most smartphones, despite the latter's advances in multi-frame processing. Our tests found colors to be nice and punchy, with the dynamic range allowing you to recover lost shadow detail with post-processing if needed. Even at 24mm, vignetting and distortion is nicely controlled. There's also a handy built-in electronic viewfinder, which makes it easier to compose images in bright light. It's still quite pricey, but this is still the best travel zoom compact camera available right now.
- Read our in-depth Panasonic Lumix ZS200 / TZ200 review
The X-T30 II may only be a minor upgrade on its predecessor, but that's fine by us. The original X-T30 was a modern classic this fine update is similarly ideal for travel and everyday shooting, if you like to swap lenses for different looks and shooting situations. At its heart is Fujifilm's trusty 26.1MP APS-C sensor, while the real benefit over rivals like the Nikon Zfc (below) is its range of excellent X-mount prime lenses. If you like to shoot street photography in particular, then pairing the X-T30 II with something like the XF35mm f/2 is a dreamy combination.
On the downside, while many XF lenses are weather-resistant, the X-T30 II itself isn't, and there's no in-body image stabilization (IBIS) either. This isn't a major issue if you mainly shoot in daylight, but if you do need IBIS then it's worth checking out the larger Fujifilm X-S10. Otherwise, the X-T30 II is a fine travel companion, with a cracking sensor that produced excellent results in our tests, good autofocus and relatively speedy shooting, all of which makes it an all-rounder that's well worth considering for your city breaks.
- Read our in-depth Fujifilm X-T30 II review
Travel photography is all about capturing memories and Nikon’s Z fc fully embraces the concept of nostalgia: it’s a stunning homage to the 30-year-old Nikon FM2 – complete with retro styling, dimensions and dials. Despite the throwback design, it’s a very modern camera inside, sharing many of its specs with the capable Nikon Z50. While some photographers might wish for a full-frame sensor, the Z fc’s APS-C number does a stellar job of capturing stills and 4K video, aided by reliable tracking autofocus. Our tests found that its 20.9MP sensor had an excellent handle on noise, especially under ISO 800, while dynamic range was impressive.
Its vari-angle touchscreen is also a brilliant addition, making it easy to frame travel selfies – or folding away completely for a leather-back look that lets you pretend it's the Eighties. The Nikon Z fc isn’t as sturdy as the camera that inspired it (there’s no weatherproofing, for example), but it’s still a beautifully unique camera for casual use. And with dedicated dials for ISO, shutter speed and exposure, plus a customizable lens ring, it’s also an easy one to control on the go.
- Read our in-depth Nikon Z fc review
The Pen E-P7 draws on the spirit and specs of previous Olympus models to create a fresh, travel-friendly mirrorless camera. Its tried-and-tested TruePic VIII engine won’t make headlines, but the combination of attractive retro styling, a streamlined build and effective five-axis image stabilization make it a compelling choice for beginners and journey-makers.
Vloggers won’t be blown away by its video specs, while the lack of a viewfinder will be a deal-breaker for some. It’s also a shame that the touchscreen only tilts, instead of fully articulating for framing flexibility. But the trade-off is a sleek, stylish body which hits the scales at just 430g (with the kit zoom lens). Our tests found its stills to be bright and punchy, and the fact that it can almost fit in your pocket makes the E-P7 more appealing than many full-frame rivals for street shooting – even if its price means some older Olympus models offer better outright value.
- Read our in-depth Olympus PEN E-P7 review
Sometimes a mirrorless camera really hits the sweet spot of size, price and features for most people – and that's the case with the Fujifilm X-S10. It's not an entry-level camera or as small as a premium compact, but you get an awful lot for your money. And if you combine the X-S10 with the right lenses, it's an excellent, versatile travel for most types of trip.
While the X-S10 doesn't official have weather-proofing, its magnesium alloy build quality is excellent and will certainly handle life in a backpack. Thanks to its large grip, the handling is also excellent, whether you're carrying it around one-handed or attaching a longer zoom lens.
Most importantly, the X-S10's APS-C sensor produces the best image quality available in this size of camera – and it's great for 4K video too. The autofocus is edged out by Sony's Real-time tracking AF, but remains very solid in most situations. And the secret weapon is the in-body image stabilization (IBIS), which is a real bonus for handheld shooting – particularly when you pair it with a small, unstabilized prime lens. The Nikon Z50 might be a little hardier, but overall the X-S10 is the mirrorless camera we'd like to have in our travel bags.
- Read our in-depth Fujifilm X-S10 review
With its small, compact and light body, the OM-D E-M10 Mark IV is a fantastic option for both travelers and those new to photography. As it’s in its fourth iteration, the E-M10 has been carefully refined over the years, making it one of the best options around for travel and everyday photography.
The E-M10 Mark IV’s power is in its simplicity, which also means that you need to compromise on some advanced specs – such as 4K/60p and microphone/headphone inputs, which are lacking here. If you’re somebody who's mainly concerned with stills shooting, though, you’ll get a bargain by not paying for something you don’t need.
As well as offering a small body size, the Micro Four Thirds lenses that are compatible with the E-M10 Mark IV are also handily neat and compact, so you can grab a few different optics for your travels and not take up too much room in your luggage. We also found that the E-M10 Mark IV's image quality offered significantly better dynamic range than most smartphones or small-sensor cameras.
Other useful specifications include the tilting 3.0-inch touchscreen, in-body image stabilization for keeping your shots steady, and a handy 2.36m-dot OLED viewfinder.
- Read our in-depth Olympus OM-D E-M10 Mark IV review
On paper, the Canon EOS M50 Mark II is a feature-packed APS-C camera with plenty to offer for traveling content creators. Our tests found that its 24.1MP sensor is capable of producing great stills, with good dynamic range, decent noise control and a 10fps burst speed. The odd reality is that the original M50 also offered these things: what’s new with the Mark II is not hardware, but software. That means it still suffers from the same heavy 1.5x crop on 4K video and ships with a slower phase-detect autofocus system.
But there are also advantages. It gains eye-detect autofocus for both stills and video, as well as the option to shoot vertical videos – ideal for would-be influencers. Added to that are a video-recording button available on the touchscreen, a movie self-timer and the option for YouTubers to wirelessly live stream – provided they have more than 1,000 subscribers. So it’s far from a total overhaul and existing M50 owners should stick with what they’ve got. But for new users, the M50 Mark II is a versatile entry-level option for capturing travel stills and video.
- Read our in-depth Canon EOS M50 Mark II review
It might now be a few years old, but Canon's G5 X Mark II remains one of the best compact cameras around for keen photographers who are traveling light. What it lacks in zoom range (you only get 5x optical zoom), it makes up for in other areas. Because you get EOS-style controls and in-camera raw processing, you get loads of control over your image capture.
With a wide maximum aperture throughout the focal length, this is a camera that's well-suited to a wide range of lighting conditions. Besides which, having up to 120mm (in 35mm terms) available is still pretty flexible. Elsewhere, there's a high-performing 1-inch sensor, great 4K videos and a pop-up electronic viewfinder which pairs well with the tilting LCD screen. There are undoubtedly more advanced travel compacts on the market with longer zoom, but not many combine the G5 X Mark II's range of photographer-friendly features in such a small package.
- Read our in-depth Canon Powershot G5 X Mark II
A premium compact camera with a fixed 23mm f/2 lens and a design that's been inspired by 1950s analogue cameras? Sounds like the very definition of niche. And yet, Fujifilm’s X100V is one of the best travel cameras you can buy – as long as you're okay with that single focal length and no zoom.
For a start, it takes the X100F's small form factor and adds a supremely useful tilting touchscreen. The advantages are support for touchscreen gestures and easier shooting at low or high angles.
Inside, a new 26.1MP sensor and X-Processor 4 combine to produce improved autofocus, image quality and high ISO performance. Our tests found that noise was well-controlled up to ISO 6400, while photos had bags of detail with realistic colors. Add in the option to shoot 4K/30p footage on the fly, as well as a higher resolution hybrid EVF, and you’ve got a properly capable pocket performer – provided you’re happy to pay a premium.
- Read our in-depth Fujifilm X100V review
GoPro cameras have long put rugged video versatility in your pocket. The Hero 10 Black doesn’t reinvent the action cam formula, but instead delivers the most polished iteration to date. Equipped with the same 23MP 1/2.3-inch sensor as the Hero 9 Black, it harnesses the power of a GP2 processor to shoot 5K at 60fps and 4K slow-mo at a silky smooth 120fps. It also uses that same chip to deliver a slicker interface that’s snappier to navigate with the rear touchscreen.
Our tests found that it still isn't the best in low-light conditions, but it’s a winner for recording during the day: the combination of HyperSmooth 4.0 image stabilization and upgraded horizon-leveling meant footage stayed steady, even when the camera was tilted to 45 degrees. Whether your travels take you hiking, kayaking, mountain biking or just strolling around a market, the incredibly compact Hero 10 Black will help you shoot great footage in most daylight situations.
- Read our in-depth GoPro Hero 10 Black review
The Panasonic GX9 is an older model now, but that means it’s currently available at a cracking price. It uses the Micro Four Thirds mount to give you access to a huge range of lenses – ideal for traveling with lots of different options.
Using a flat, rangefinder-style design, it’s ideally suited to travel and street photography, being both compact and stylish – a great addition to your carry-on luggage. It uses a 20.3MP sensor which performed well in our tests, particularly in good light, and boasts other useful features such as 4K video, a 3-inch tilting screen and a very usable viewfinder.
Battery life is a little on the limited side, so you might want to pack a spare if you’re traveling extensively, but otherwise, we found the GX9 to be a great little all-rounder for those who want something light and powerful.
- Read our in-depth Panasonic GX9 review
Olympus arguably started the rugged compact camera trend with its Tough series, and the TG-6 doesn’t break the mould. Innovation might have slowed, but the Tough TG-6 is still one of the best travel cameras you can buy – and there’s no questioning its freeze-proof, shockproof and waterproof credentials.
Its industrial design felt reassuringly rugged in our tests, with (slightly fiddly) catch mechanisms that protect the ports. Large buttons make it convenient to operate beneath the waves, while the improved 3-inch LCD display also offers decent visibility in most conditions.
We found image quality to be reasonable for a camera with a 1/2.3-inch sensor, with nice, rich colors – although there was a tendency to overexpose and blow out highlights. An equivalent zoom range of 25-100mm is fair, plus the inclusion of 4K video and raw shooting enhance flexibility. It isn't a major upgrade from the TG-5, but the Olympus TG-6 is nevertheless a stellar option for all-action travelers.
- Read our in-depth Olympus TG-6 review
In terms of offering something for everybody, the RX10 IV ticks a lot of boxes. It's like having a bag full of lenses, but with the benefit of never having to change them. There's a very long zoom (going all the way from 24-600mm), while the maximum aperture is pretty wide throughout the lens.
The RX10 IV's sensor might not be as a large as the ones you'll find on a mirrorless camera or DSLR, but Sony's 20.1MP one-inch chip proved itself to be very capable in our tests. Noise was well-controlled, and you'd have no problem making an A3 print from one of its files (particularly if you shoot at under ISO 800).
You also get 24fps shooting, cracking 4K video quality and handling to rival a DSLR. The major downside? The high price – if your budget is tighter, don't forget about this camera's predecessor, the RX10 III.
- Read our in-depth Sony Cyber-shot RX10 IV review
If none of the cameras in our best travel camera list above quite fit the bill, there is an alternative that is a few generations old, but still packs a punch. The RX100 III from Sony is a couple of years old now and was originally selling for near $1,000/£1,000, but with the arrival of newer models (including the RX100 VII), it's dropped massively in price.
Downsides? Well, the zoom is pretty short compared to other rivals here, but otherwise there's a lot to like. In our lab tests, we found colors to be natural and dynamic range was impressive for a 20.1MP 1-inch sensor. A pop-up electronic viewfinder and 4K video recording are also handy (even though you have to pull out the EVF after it's been popped), and it's packaged in a premium, metal body. It's still definitely worth a look if the zoom range isn't your main concern.
- Read our in-depth Sony Cyber-shot RX100 III review
How to choose the best travel camera for you
Need a bit more guidance on how to decide the right type of travel camera? Have a think about the following options:
Travel Zoom Compact
These small pocket-friendly cameras give you great scope for shooting lots of different kinds of subject, with a zoom lens that gets you close to the action, as well as giving you the opportunity to shoot nice and wide. The trade off for having all of this in a neat compact size is generally a smaller sensor which is less useful for shooting in low light.
If you want to stay pocket friendly, but you’re happy to lose the ultra long zoom, think about a premium compact. These generally pack a one-inch sensor for better image quality, but will normally have a shorter zoom. Some may give you both - but you’ll pay a very high price for it.
A bulkier option than a standard compact camera, but with better scope for zooming, a bridge camera is also ideal for those who like more intuitive and comfortable handling. They’ll usually have a solid grip, decent electronic viewfinder and a flexible screen. You get many of the benefits of having a bag full of lenses, but without the extra luggage.
Mirrorless / Compact System Camera
This is the option if you want the best possible image quality and you’re prepared for a little bit of hassle. With lots of different lenses to choose from, you can pack different optics depending on the type of trip you’re on, or pack a good all-round lens and not worry too much about swapping optics. You’ll have the best possible handling, too as well as plenty of advanced options.
Many of the current compact system cameras on the market have been specifically designed with travel in mind - and are as small as possible. We’ve included some of the best options here.
If you’re still unsure about which kind of camera you need, check our step-by-step guide: What camera should I buy? Alternatively, if you’re going to be by the pool or on the beach, you might want something a bit more rugged – in which case, take a look at our best waterproof camera and best action camera guides.
What is the best mirrorless travel camera?
Mirrorless cameras are great for travel. While they’re larger than premium compact cameras, the best mirrorless travel cameras still feature relatively small shells which are easy to manage on the move. They also offer larger sensors than smartphones or compacts, which means they perform better after dark. And although interchangeable lenses are less portable than an all-in-one zoom barrel, they unlock greater creative flexibility.
We think the Fujifilm X-S10 is the best mirrorless travel camera you can buy right now, hitting the sweet spot of size, price and performance. Equipped with a 26.1MP APS-C sensor, it’s can capture superb stills and video with the help of in-body image stabilization. It’s also a lovely camera to handle, with a large grip on a small body.
Looking for something more accessible? The Olympus OM-D E-M10 Mark IV is a fantastic option for those who are new to travel photography. While you don’t get advanced specs such as 4K/60p footage, you do get a 3.0-inch tilting touchscreen, in-body image stabilization and a handy 2.36m-dot OLED viewfinder. Its compact body is easy for beginners to handle, while the Micro Four Thirds lens mount means there’s a wide catalogue of compatible glass.
Content creator? Take a look at Canon’s EOS M50 Mark II. Despite heavily cropped 4K video, it benefits from a range of software shooting tricks that make it great for traveling influencers – including the option to shoot vertical videos and the ability to wirelessly live stream to YouTube (if you have more than 1,000 followers).
That said, there might be a better mirrorless travel camera for your specific requirements. The Sony A6100, for example, is pocket-friendly and packs rapid autofocus tracking for shooting on the move. Be sure to check out every mirrorless model in the list above before deciding which to buy.
How we test travel cameras
Buying a camera these days is a big investment, and travel cameras are no different – so every camera in this guide has been tested extensively by us. For travel cameras in particular, real-world tests are the most revealing way to understand a camera's performance and character, so we focus heavily on those, along with standardized tests for factors like ISO performance.
To start with, we look at the camera's design, handling and controls to get a sense of how suitable it is for life on the road, and any particular features that might be particularly useful for globe-trotters. When we take it out on a shoot, we'll use it both handheld and on a tripod to get a sense of where its strengths lie, and test its startup speed.
When it comes to performance, we use a formatted SD card and shoot in both raw and JPEG (if available). For burst shooting tests, we dial in our regular test settings (1/250 sec, ISO 200, continuous AF) and shoot a series of frames in front of a stopwatch to see if it lives up to its claimed speeds. We'll also look at how quickly the buffers clears and repeat the test for both raw and JPEG files.
In various lighting conditions, we also test the camera's different autofocus modes (including Face and Eye AF) in single point, area and continuous modes. We also shoot a range of photos of different styles (portrait, landscape, low light, macro/close-up) in raw and JPEG to get a sense of metering and its sensor's ability to handle noise and resolve fine detail.
If the camera's raw files are supported by Adobe Camera Raw, we'll also process some test images to see how we can push areas like shadow recovery. And we'll also test its ISO performance across the whole range to get a sense of the levels we'd be happy to push the camera to.
Battery life is tested in a real-world fashion, as we use the camera over the course of the day with the screen set to the default settings. Once the battery has reached zero, we'll then count the number of shots to see how it compares to the camera's CIPA rating. Finally, we test the camera's video skills by shooting some test footage at different frame-rates and resolutions, along with its companion app.
We then take everything we've learned about the camera and factor in its price to get a sense of the value-for-money it offers, before reaching our final verdict.